

Story and myth have always been part of sanatana-dharma, but scholars ascertain that they rose to prominence in the Epic and Puranic periods. Since then, Hindu concepts and values have been transmitted more through story than through philosophical or theological exposition, and stories are central in disseminating popular Hinduism. Stories were customarily passed down through the family, particularly by grandparents. They were also popularised by musicians, dancers and travelling theatre troupes. More recently, they have been retold through books, film, TV, and video. Hinduism is rich in meaningful stories. Western film-makers and playwrights have realised this, as illustrated by the Peter Brooks version (1989) of the Mahabharata.
A key element of story is the role of the hero and heroine, who embody exemplary values. Many narratives explore the nuances of dharma and the difficulties in its precise application. Although many of the stories are ancient, Hindu people talk of their hero figures with a sense of immediacy, as if they are alive today. These characters serve not as dated, tribal ancestors but as residents of a previously glorious age. Especially for children, the Panchatantra and Hitopadesh include allegorical animal stories with moral themes. Many of Aesop's fables are believed to be derived from the Panchatantra. (For more information on story, please see Values and Story, Mahabharata, Bhagavad-gita, Ramayana, and The Puranas)
Some Hindus contend that the Epics, Puranas, etc. are historical accounts, but happen beyond our normal realms of comprehension. These narratives span vast periods of time and space, and occur within multiple dimensions. There may appear to be factual contradictions, but Hindus place greater emphasis on appropriate values than on exactitude in names, dates, and so forth. One should be careful in using terms such as "myth" (see Glossary Terms, above)